<?xml version="1.0" encoding="utf-8" ?> <rss version="2.0" xmlns:opensearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom"> <channel> <title> <![CDATA[مكتبة اكاديمية الفنون - وزارة الثقافة Search for 'pl:&quot;LONDON &amp; NEW YORK&quot;']]> </title> <link> http://41.33.33.13//cgi-bin/koha/opac-search.pl?q=ccl=pl%3A%22LONDON%20%26%20NEW%20YORK%22&#38;sort_by=relevance&#38;format=rss </link> <atom:link rel="self" type="application/rss+xml" href="http://41.33.33.13//cgi-bin/koha/opac-search.pl?q=ccl=pl%3A%22LONDON%20%26%20NEW%20YORK%22&#38;sort_by=relevance&#38;format=rss"/> <description> Search results for 'pl:&quot;LONDON &amp; NEW YORK&quot;' at مكتبة اكاديمية الفنون - وزارة الثقافة </description> <opensearch:totalResults>31</opensearch:totalResults> <opensearch:startIndex>0</opensearch:startIndex> <opensearch:itemsPerPage>50</opensearch:itemsPerPage> <atom:link rel="search" type="application/opensearchdescription+xml" href="http://41.33.33.13//cgi-bin/koha/opac-search.pl?q=ccl=pl%3A%22LONDON%20%26%20NEW%20YORK%22&#38;sort_by=relevance&#38;format=opensearchdescription"/> <opensearch:Query role="request" searchTerms="q%3Dccl%3Dpl%253A%2522LONDON%2520%2526%2520NEW%2520YORK%2522" startPage="" /> <item> <title> Steel Designers Manual </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=104552</link> <description> <p> London - New York Granada 1981 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=104552">Place hold on <em>Steel Designers </em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=104552</guid> </item> <item> <title> He That Plays The King A view of the theatre </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=104890</link> <description> <p> By KENNETH TYNAN.<br /> LONDON - NEW YORK LONDON .GREEN AND CO 1950 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=104890">Place hold on <em>He That Plays The King</em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=104890</guid> </item> <item> <title> THE ASSISTANT LIGHTING DESIGNERS TOOLKIT </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106279</link> <description> <p> By ANNE E .MCMILLS.<br /> LONDON - NEW YORK FOCAL PRESS 2014 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=106279">Place hold on <em>THE ASSISTANT LIGHTING DESIGNERS TOOLKIT</em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106279</guid> </item> <item> <title> ACTING FOR THE SCREEN perform succeeding a creative professional </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106353</link> <description> <p> By Belli. Mary Lou.<br /> LONDON - NEW YORK ROUTLEDGE 2020 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=106353">Place hold on <em>ACTING FOR THE SCREEN</em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106353</guid> </item> <item> <title> JOHN FISKE TELEVISION CULTURE </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106505</link> <description> <p> By JENKINS, HENRY.<br /> LONDON - NEW YORK ROUTLEDGE 2011 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=106505">Place hold on <em>JOHN FISKE </em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106505</guid> </item> <item> <title> TELEVISION IN THE MAKING </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106509</link> <description> <p> By Rotha. Paul.<br /> LONDON - NEW YORK THE FOCAL PRESS 1952 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=106509">Place hold on <em>TELEVISION IN THE MAKING</em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106509</guid> </item> <item> <title> The Technique Of The Television Camera man </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106517</link> <description> <p> By PETER JONES.<br /> LONDON - NEW YORK FOCAL PRESS 1974 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=106517">Place hold on <em>The Technique Of The Television Camera man</em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106517</guid> </item> <item> <title> The Technique Of The Television Camera man </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106518</link> <description> <p> By PETER JONES.<br /> LONDON - NEW YORK FOCAL PRESS 1965 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=106518">Place hold on <em>The Technique Of The Television Camera man</em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106518</guid> </item> <item> <title> SINGLE - CAMERA VIDEO PRODUCTION </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106568</link> <description> <p> By Musburger. Robert B.<br /> LONDON - NEW YORK FOCAL PRESS 2014 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=106568">Place hold on <em>SINGLE - CAMERA VIDEO PRODUCTION</em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106568</guid> </item> <item> <title> TELEVISION STUDIES THE KEY CONCEPTS </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106593</link> <description> <p> LONDON - NEW YORK ROUTLEDGE 2008 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=106593">Place hold on <em>TELEVISION STUDIES</em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106593</guid> </item> <item> <title> Picture Composition for Film and Television </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106626</link> <description> <p> By WARD, PETER.<br /> LONDON - NEW YORK FOCAL PRESS 2003 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=106626">Place hold on <em>Picture Composition for Film and Television</em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106626</guid> </item> <item> <title> TV LIGHTING METHODS </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106661</link> <description> <p> By MILLERSON. GERALD.<br /> LONDON &amp; NEW YORK FOCAL PRESS 1975 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=106661">Place hold on <em>TV LIGHTING METHODS</em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106661</guid> </item> <item> <title> THE TV STUDIO PRODUCTION HAND BOOK </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106682</link> <description> <p> By LUCY BROWN.<br /> LONDON - NEW YORK BLOOMSBURY ACADEMIC 2016 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=106682">Place hold on <em>THE TV STUDIO PRODUCTION HAND BOOK</em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106682</guid> </item> <item> <title> GRAMMAR OF THE FILM LANGUAGE </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106697</link> <description> <p> By DANIEL ARIJON .<br /> LONDON - NEW YORK FOCAL PRESS 1976 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=106697">Place hold on <em>GRAMMAR OF THE FILM LANGUAGE</em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106697</guid> </item> <item> <title> TELEVISION TECHNOLOGY AND CULTURAL FORM </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106719</link> <description> <p> By RAYMOND WILLIAMS.<br /> LONDON - NEW YORK ROUTLEDGE CLASSICS 2003 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=106719">Place hold on <em>TELEVISION TECHNOLOGY AND CULTURAL FORM</em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106719</guid> </item> <item> <title> Radio Production </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106745</link> <description> <p> By Mc LEISH . ROBERT.<br /> LONDON - NEW YORK FOCL PRESS 2016 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=106745">Place hold on <em>Radio Production</em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106745</guid> </item> <item> <title> WRITE TO TV 0UT OF YOUR HEAD AND ON TO THE SCREEN </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106751</link> <description> <p> By MARTIE . COOK.<br /> LONDON - NEW YORK FOCAL PRESS 2014 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=106751">Place hold on <em>WRITE TO TV</em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106751</guid> </item> <item> <title> TELEVISION PRODUCTION </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106768</link> <description> <p> By OWENS JIM.<br /> LONDON - NEW YORK ROUTLEDGE - FOCAL PRESS 2020 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=106768">Place hold on <em>TELEVISION PRODUCTION</em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106768</guid> </item> <item> <title> AN INTRODUCTION TO TELEVISION STUDIES </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106773</link> <description> <p> By BIGNELL . JONATHAN.<br /> LONDON - NEW YORK ROUTLEDGE 2004 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=106773">Place hold on <em>AN INTRODUCTION TO TELEVISION STUDIES</em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106773</guid> </item> <item> <title> MAKING SHORT FILMS the complete guide from script to screen </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106827</link> <description> <p> LONDON - NEW YORK BLOOMSBURY 2005 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=106827">Place hold on <em>MAKING SHORT FILMS </em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106827</guid> </item> <item> <title> PROJECTING PLITICS POLITICAL MESSAGES IN AMERICAN FILMS </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106898</link> <description> <p> By HAAS ELIZABETH.<br /> LONDON - NEW YORK ROUTLEDGE 2015 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=106898">Place hold on <em>PROJECTING PLITICS</em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106898</guid> </item> <item> <title> ENDANGERING SCIENCE FICTION FILM </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106938</link> <description> <p> By REDMOND . SEAN.<br /> LONDON - NEW YORK ROUTLEDGE 2016 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=106938">Place hold on <em>ENDANGERING SCIENCE FICTION FILM</em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106938</guid> </item> <item> <title> FILM MUSIC IN MINOR NATIONAL CINEMAS </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106949</link> <description> <p> By GERMAN GIL - CURIEL.<br /> LONDON - NEW YORK BLOOMSBURY 2016 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=106949">Place hold on <em>FILM MUSIC IN MINOR NATIONAL CINEMAS</em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106949</guid> </item> <item> <title> LIKE A FILM IDEOLOGICAL FANTASY ON SCREEN .CAMERA AND CANVAS </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106967</link> <description> <p> By MURRAY, TIMOTHY.<br /> LONDON - NEW YORK ROUTLEDGE 1993 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=106967">Place hold on <em>LIKE A FILM</em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106967</guid> </item> <item> <title> DESIGNING FOR FILMS </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106976</link> <description> <p> By CARRICK EDWARD.<br /> LONDON - NEW YORK THE STUDIO PUBLICATIONS 1949 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=106976">Place hold on <em>DESIGNING FOR FILMS</em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=106976</guid> </item> <item> <title> FILM A MODERN ART </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=107032</link> <description> <p> By AARON SULTANIK.<br /> LONDON - NEW YORK ROSEMONT PULISHING AND PRINTING 1986 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=107032">Place hold on <em>FILM</em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=107032</guid> </item> <item> <title> DIGITAL COSTUME DESIGN AND COLLABORATION APPLICATIONS IN ACADEMIA .THEATRE AND FILM </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=107037</link> <description> <p> By RAFAEL JAEN.<br /> LONDON - NEW YORK ROUTLEDGE 2018 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=107037">Place hold on <em>DIGITAL COSTUME DESIGN AND COLLABORATION</em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=107037</guid> </item> <item> <title> THE ROUTLEDGE COMPANION TO PUPPETRY AND MATEERIAL PERFORMANCE </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=107038</link> <description> <p> By DASSIA N . POSNER.<br /> LONDON - NEW YORK ROYTLEDGE 2015 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=107038">Place hold on <em>THE ROUTLEDGE COMPANION TO PUPPETRY AND MATEERIAL PERFORMANCE</em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=107038</guid> </item> <item> <title> THE DOCUMENTRY FILMMAKERS ROADMAP practical guide to planning .production and distribution </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=107043</link> <description> <p> By TRUMP.MAXINE.<br /> LONDON - NEW YORK ROUTLEDGE 2019 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=107043">Place hold on <em>THE DOCUMENTRY FILMMAKERS ROADMAP</em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=107043</guid> </item> <item> <title> CONTEMPORARY DOCUMENTARY </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=107047</link> <description> <p> By MARCUS.DANIEL.<br /> LONDON - NEW YORK ROUTLEDGE 2016 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=107047">Place hold on <em>CONTEMPORARY DOCUMENTARY</em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=107047</guid> </item> <item> <title> BASIC ELECTRICITY PART (5 ) </title> <dc:identifier>ردمك: </dc:identifier> <link>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=107092</link> <description> <p> LONDON - NEW YORK TECHNICAL PRESS.LTD 1960 </p> <p> <a href="http://41.33.33.13//cgi-bin/koha/opac-reserve.pl?biblionumber=107092">Place hold on <em>BASIC ELECTRICITY</em></a> </p> </description> <guid>http://41.33.33.13//cgi-bin/koha/opac-detail.pl?biblionumber=107092</guid> </item> </channel> </rss>
